In conclusion, it is Shakespeare's use of language and his successful implicit portrayal of themes through characters that allows his audience to unwrap themselves not only the true nature of the relationships between the characters, but also the complementing and contrasting values and ideals that inevitably exist amongst them.read more. However, it is the analogy between and a value and a sensual physical action, in an "unauthorized kiss" in line 3, that epitomizes and conclusively portrays Iago's complete manipulation of Othello, that by combining values of reputation and authority with love and emotion, Othello's weaknesses are used in Iago's power, leaving Othello to seemingly self-destruct. However, on a deeper level, it also marks Iago's character development as his successes continually accelerate more of his schemes and plans, while at the same time weakening Othello. Poison works slowly but effectively - the same way Iago's deception worked on Othello. Concerning this, sir,-O well-painted passion. Ironically, where chiasmus is used typically as a device to articulate balance or order within a text, the use of it in Othello marks precisely the opposite.read more. Ay you did wish that I would make her turn: Sir, she can turn, and turn, and yet go on, And turn again and she can weep, sir, weep And she's obedient, as you say, obedient, Very obedient. First to be hanged and then to confess." in prose form, and Shakespeare's use of it accommodates Othello's use of chiasmus in his speech. In addition, Othello says, in line 35 on page 153, "Handkerchief-confessions-handkerchief! To confess and be hanged for this labour. Thus, the loss of the handkerchief grew to become synonymous with the loss of its value, as is evident from Othello's change in narrative form, as it goes from a form of verse to prose. The handkerchief Othello gives to Desdemona, for example, embodies his love and trust for her, but more deeply his honour in her having accepted him, the "moor", the outcast. Lodovico thanked Othello and was about to say goodnight when Othello invited.
OTHELLO ACT 4 SCENE 1 FULL
This scene chiefly introduces to the audience Iago as having gained full control, as we see Othello now to be the one unconsciously repeating after him.read more. Othello in modern English: Act 4, Scene 3: Supper was over and they all got up. Act 4 Scene 1 opens up in media-res of a conversation taking place between Iago and Othello. She continually implores that Othello gives him back his position as officer, if just in order to remind her husband of his esteemed position among the society, and in general, of his own sense of honour and morality that she, as his wife, had always seen in and respected of him. Bewildered by her husband's strange new violent and jealous behaviour, Desdemona, unknowingly, tries even harder to help Cassio. Cassio appears and wants to help Othello, but Iago sends him away and tells Othello that if he hides himself he will see Cassio talking about his encounters with Desdemona. Iago continues his psychological torture until Othello falls into a trance. The opening scene of Act 4 in Othello succeeds one in which Othello begins to confront Desdemona about Cassio via the loss of her handkerchief. Detailed Summary of Othello, Act 4, Scene 1 Page Index: Enter Othello and Iago.
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